THE EQUALIZER 3 (Columbia/Sony) was down 43% to $2.7M in its 5th weekend, and continues to be on a path for around $95M in the US, down from the $101.5M/$102.1M results of the earlier installments. It may not even hit $20M in the US, and has had a negligible international release thus far. The expansion of DUMB MONEY (Black Bear/Columbia/Sony) went badly, more than quadrupling its theater count but rising just 44% to $3.5M. Internationally, Venice has $58.2M after a $7M weekend in 52 territories, heading for a total that would likewise be a bit below Nile‘s $91.7M. That would still be in the range of Death On the Nile‘s US total (on lower production costs). The overseas total is $154.4M after a $12.8M weekend in 75 markets, which is consistent with The Nun earning 68% of its worldwide total internationally.Ī HAUNTING IN VENICE (20th/Disney) lost 40% to $3.8M in its 3rd weekend, and may not reach $45M in the US. HOLDOVERS: THE NUN II (New Line/Warners) dropped 45% to $4.7M in its 4th weekend, on its way to $90M in the US, about 20% below its predecessor but still quite profitable. The week’s Christian-themed entry THE BLIND (Fathom), which had an official Thursday opening, took in $4.1M over the 3-day weekend, against what were probably extremely low costs.Ī re-release of the 1984 concert documentary STOP MAKING SENSE (A24) expanded from its limited premium-screen run, tripling its theater count to 786 theaters but rising only 22% to a subdued $1M.Īnother music documentary, CARLOS (Sony) opened at the low end of wide release in 541 theaters and averaged less than $700 in each. There aren’t many non-IP genre epics being produced these days, and these results won’t encourage the studios to finance more of them. Unfortunately for THE CREATOR (20th/Disney), its $150M+ in production/marketing costs are unlikely to be recouped after a lackluster $14M launch in the US, with $18.3M more from 48 overseas territories. Although Saw X faces heavy competition from the other horror openings scheduled for Halloween month, its low budget should guarantee some profit. Saw X also brought in $11.3M from 50 overseas territories, suggesting a different mix from Jigsaw, which earned 64% of its worldwide total outside the US. That’s a bit above the $16.4M start for 2017’s Jigsaw (and far above the spin-off Spiral, which only managed an $8.8M opening). SAW X (Lionsgate), boasting the best reviews in the 19 years of the series (84% on Rotten Tomatoes), began at the higher end of projections with $18M. This series is produced at relatively low cost by the standards of big-screen animation, so no doubt further chapters will be forthcoming. It also has $23.1M overseas from 45 markets (the 2021 film earned 72% of its global total internationally). Refer to Pups Save Christmas, The Great Snow Rescue and Winter Rescues for the list of episodes.OPENINGS: PAW PATROL: THE MIGHTY MOVIE (Nickelodeon/Paramount) launched with $23M, above expectations and an impressive rise over the $13.1M start for the 2021 installment of the franchise. Bonus Top Wing Episode "Top Wing Dream Team".Refer to PAW Patrol and The Great Snow Rescue for the list of episodes. Refer to Marshall and Chase on the Case! for the list of episodes.
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